It’s critical that Naru doesn’t seek the Predator because he’s a monster (though protecting the village adds necessary urgency to the plot), but because she has something to prove. These painterly touches are rarely seen in the franchise (this might be the first since the samurai sword fight in 2010’s Predators), but it’s what uniquely defines Prey from its predecessors and make it come alive. They later follow her through equally breathtaking scenery that should frankly be sold as tourism advertising for the region. Early in the film, Trachtenberg and cinematographer Jeff Cutter frame Midthunder in a gorgeous hero shot that tracks her in the village under a late afternoon sky. Inside Naru is not the heart of a hero but a survivor and a warrior. But through Amber Midhunter, whose piercing brown eyes pop atop her black war paint, Naru never feels like a spunky Disney princess - and she’s a lot more like Dutch than she’ll ever know.Īmber Midthunder stars in Prey, a standalone prequel to 1987’s Predator set in the 18th century. Ex-basketball star Dane DiLiegro suits up as this film’s Predator, a nameless villain who speaks only in ominous clicks.Īs our protagonist, Naru is unlike Schwarzenegger's Dutch in obvious ways: She’s shorter, leaner, and her clothes practically wear her more than she wears them. Though Naru fails to track down a troublesome lion, she finds something far more dangerous: a Predator, another one of pop culture’s iconic dreadlock trophy hunters. The release on Hulu will come with an alternative Comanche dub track, which was not provided to journalists for preview.) Later, when incomprehensible French settlers arrive, we learn Prey wants to challenge entrenched ideas of who we think the heroes are heroes in cinema. (This community, by the way, speaks conversational English. She’s an aspiring hunter who refuses to adhere to her community’s gendered roles. Prey fixates on a young Comanche girl named Naru (Amber Midthunder, Legion) from the Northern Plains of the early 18th century.
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